Review - A Life in the Theatre: Reflective and tantalizing

By Lilian Harrington

A Life in the Theatre

By David Mamet

Directed by Pierce Gordon

Ad Astra Creativity

57 Misterton St. Fortitude Valley

Season runs to 25 March, bookings: Try booking

Quirky, thought-provoking and tantalizing, Ad Astra is noted for its boutique productions that just tap into different concerns that affect our society. This play, (which runs one hour and fifteen minutes, with no intermission), is no exception! Two contrasting actors play out scenes and dreams, in a catchy and zany style in what is an hilarious and heartwarming reflection of the “meaning of life”; American, Pulitzer Prize winner, and writer, David Mamet, known for his stage work, plays, novels and films, chooses two working actors to examine the meaning of life in “A life in the Theatre.”.

David Mamet, has worn many different hats on his journey as a writer, director, actor, working man, influenced by his family ‘s Jewish background and events, he’s been inspired to explore some interesting themes in his writings; Robert, the experienced repertory performer, played confidently by the very skilled and seasoned actor, Francis McMahon, juxtaposed by the emerging young stage actor John, portrayed beautifully by the talented and versatile Jesse Richardson, contrast their thoughts and skills in a powerful two man show.

The set was designed by Bill Haycock and his production team, led by Stage Manager Petria Leong, and the actors, have collaborated to prepare the production for the stage. The subtle lighting design from Ben Lynskey, added to the atmosphere, as did the innovative design for the set which enabled the actors to use the space effectively i.e. the use of black plastic box frames and “cartons” which made for easy scene changes. However, sharper changes of style between the two players in some scenarios may have created more defined portrayals for some of the scenes, because the script called for different characterizations and the two actors each could have used a more diverse approach as they moved from one scenario to the next; some scenes i.e. the scripted reading called for stronger vocal contrasts so both actors used their special abilities to highlight the humor, effectively.

Robert, the dominant, legendary character, with a gigantic ego, prepared to take advantage of John’s innocence in the industry, as he took the aspiring young actor under his wing. The two work as if they were yoyos; one is being pulled and the other pushed. Robert shows himself to be experienced and savvy, even somewhat sneaky and bossy at times, as he attempts to control both on and off stage; So, through the eyes and views of Robert and John, we see the highs and lows that can be experienced in the lives of actors.

At times strong language is used and some content may not always be welcome, but these events are blended in with some areas of light relief. As Director Pierce Gordon stated, “Mamet has explored a gorgeous nostalgia-fueled tapestry” of the inner workings of the long time repertory theatre and it serves as a reminder to us of what reality in the theatre might’ve been like, for actors.

Even though A Life in the Theatre was written in 1977, Mamet’s tackled some issues still relevant today. These key points of view need to be heard in Repertory Theatres, so over the years, ongoing issues such as: gender equity and women’s positions of power, have been seen and heard on stage.

Upon reflection, while this play maybe a little outdated , it still deals with relevant concerns; It’s well-staged, thought -provoking and tantalizing, because it leaves the audience pondering….so as in real life late comers aren’t appreciated, and no there is no interval!.